Jump to content


Photo

Starting to edit a new reel

montage of Northfork

  • Please log in to reply
7 replies to this topic

#1 David Mullen ASC

David Mullen ASC
  • Sustaining Members
  • 19759 posts
  • Cinematographer
  • Los Angeles

Posted 23 May 2013 - 08:15 PM

I just started learning Final Cut Pro X this week, and figuring out how to get things onto the web in the correct aspect ratio, etc.  I recreated a montage that I had cut several years ago on an early version of iMovie, but this time not working from a DV tape copy that was interlaced.  The material was 480P but I copied it as 720P ProPres files, mainly because eventually I'll have to mix in some movies that I can get at 1080P so I plan on doing all my reel montages in 720P as the common resolution.

 

Using Compressor, I got rid of the letterboxing so that the QT was 2.35 (child's play for most of you, but this is all new to me...). For now, I'm using Vimeo to host the edits as I create them.  I'll probably first finish recreating the old montages that I done years ago, just so that material is now on the web, and then tackle a new montage.  That's a bit daunting after 35 features, some pilots, and 3 TV series... there are many hours of material to cut into something around 2 or 3 minutes, and the projects vary wildly in tone. I may just stick with a couple of montages rather than one, who knows.

 

I put the link on my website:

http://www.davidmull...d-20/index.html

 

 

Or you can jump directly to it here:


  • 1

#2 Phil Rhodes

Phil Rhodes
  • Sustaining Members
  • 11937 posts
  • Other

Posted 23 May 2013 - 09:05 PM

there are many hours of material

 

Well, that's probably a good problem!

 

Of course it's all gorgeous.


  • 0

#3 David Mullen ASC

David Mullen ASC
  • Sustaining Members
  • 19759 posts
  • Cinematographer
  • Los Angeles

Posted 23 May 2013 - 11:38 PM

I found an HD copy of "Smash" but even when switched to English audio and non subtitles, there are French subtitles burned in for the singing.  I may have to go back to the U.S. 480P version...  I pulled a small fantasy sequence to show how I handled these "small" musical moments in the show, which had to be lit on the day as if we were shooting a dialogue scene.  I decided to have the backdrop on the set outside the windows dim down by 50% and then fade up some strong backlights from spot par cans mounted to the ceiling.  The lens flares from the pars (and a 5K par outside the window) were enhanced by a homemade net filter on the lens, plus a 1/8 Black Frost filter.  The net is a nylon black tule / veil that came from a fabric store; so far I've found it to be lighter in effect than any Dior or Fogal stocking I've stretched onto a frame, and a lot less fragile.

 


  • 0

#4 John Holland

John Holland
  • Basic Members
  • PipPipPipPip
  • 2248 posts
  • Cinematographer
  • London England

Posted 24 May 2013 - 06:02 AM

I really love the look of that all that very strong backlight just great .


  • 0

#5 David Mullen ASC

David Mullen ASC
  • Sustaining Members
  • 19759 posts
  • Cinematographer
  • Los Angeles

Posted 30 May 2013 - 12:30 AM

I just recut my old montage of "Astronaut Farmer" in 720P:

 


  • 0

#6 David Owen James

David Owen James
  • Basic Members
  • PipPip
  • 83 posts
  • Director
  • British Columbia

Posted 30 May 2013 - 03:33 AM

What film stock did you use for the "Astronaut Farmer"?


Edited by David Owen James, 30 May 2013 - 03:33 AM.

  • 0

#7 David Mullen ASC

David Mullen ASC
  • Sustaining Members
  • 19759 posts
  • Cinematographer
  • Los Angeles

Posted 30 May 2013 - 09:16 AM

Fuji F-64D, 250D, and 500T.


  • 0

#8 Jon Rosenbloom

Jon Rosenbloom
  • Basic Members
  • PipPipPipPip
  • 713 posts
  • Cinematographer

Posted 30 May 2013 - 10:28 AM

Hey David, I was on set one day where you did the fantasy transition not with a cut, but with a push in to a mirror and a lighting cue that was pretty spectacular; is that available?

 

Also, where is "Marylin's" hair on the waveform? It's off the chart, right?


  • 0


Tai Audio

Technodolly

Rig Wheels Passport

Visual Products

The Slider

Paralinx LLC

Aerial Filmworks

Wooden Camera

FJS International, LLC

Glidecam

CineTape

Willys Widgets

Ritter Battery

Abel Cine

Media Blackout - Custom Cables and AKS

Broadcast Solutions Inc

Metropolis Post

CineLab

rebotnix Technologies

Opal

Gamma Ray Digital Inc

Wooden Camera

Rig Wheels Passport

FJS International, LLC

Ritter Battery

CineTape

Glidecam

Paralinx LLC

CineLab

Tai Audio

Gamma Ray Digital Inc

Opal

Broadcast Solutions Inc

Visual Products

Aerial Filmworks

Willys Widgets

Media Blackout - Custom Cables and AKS

Technodolly

Abel Cine

rebotnix Technologies

Metropolis Post

The Slider