Putting this in Telecine because these days there are probably more colorists and telecine guys splicing film than editors.
What is the best, most professional, well-built splicer available for 16 & 35mm? (I'll take 8/Super 8 as well).
Need something for standard modern negatives so I assume ultra-sonic is out, correct?
I've seen a few Hollywood Film Company examples that look very solid. I need something that can standup to daily use and isn't a pain to work with.