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Roger Deakins Nominated again for Oscar.


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#1 John Holland

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Posted 16 January 2014 - 08:53 AM

Yep Roger has been nominated for 'Prisoners'
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#2 Joan Agramunt

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Posted 30 January 2014 - 07:04 AM

I'm sure he will win. Nice teal and orange !  


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#3 John Holland

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Posted 01 February 2014 - 01:23 PM

Teal and Orange ?
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#4 Kieran Scannell

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Posted 01 February 2014 - 03:16 PM

Teal and Orange ?

Using predominately cold blue hues and mixing them with warmer yellow orange hues as your main colour pallete.

Extensive use on many Hollywood productions. It's colour science apparantly complimentary colours "pop" on screen.

Although saying that possibly the most consistantly brilliant cinematographer of the last 25 years does a "Nice Teal & Orange" is a little off I think!  


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#5 John Holland

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Posted 02 February 2014 - 05:18 AM

Kieran i did know what it meant .Its just that i dont think it applies to "Prisoners".
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#6 Kieran Scannell

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Posted 03 February 2014 - 04:11 PM

I know you did John! I don't think it applies to "Prisoners" either. I think I was just clarifying it for myself! Just a wee rant!

Sorry!


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#7 Adam Frisch FSF

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Posted 03 February 2014 - 10:41 PM

Lubezki will win for Gravity. And he should, even though it was mostly done in cgi. It's his vision and his lighting in the computer and his specialised techniques on set.


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#8 Rusalen Mihailov

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Posted 05 February 2014 - 02:35 AM

Best of the Best!!!


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#9 joshua gallegos

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Posted 05 February 2014 - 09:01 PM

Roger Deakins is a #BEAST. yes I just hashtagged that. He kind of reminds me of God - in cinematographic powers, that is.
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#10 KH Martin

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Posted 06 February 2014 - 03:03 PM

It's so damned hard to believe he hasn't won. I wrote pieces about O BROTHER and THE MAN WHO WASN'T THERE and was sure he was going to win for both; I've talked to him since about how he advises for animation projects and then for SKYFALL, and it is just amazing he hasn't walked off with a couple just for the last decade.

 

I do concur about GRAVITY; the vfx are entirely an extension of the DP's very specific vision, and he was on from the beginning, unlike, say AVATAR, where the DP came in something like a year after the start of what I guess you'd call principal photography.


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#11 Jonathan Flanagan

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Posted 01 January 2018 - 06:47 PM

Here's an excellent news piece on why Roger should (at last)be recognised his year.

http://news.sky.com/...-oscar-11191380
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#12 Robin R Probyn

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Posted 03 January 2018 - 03:14 AM

Just goes to show how the DP Oscar can be such a weird one.. alot of the academy probably dont know much about it.. but the nominations almost matter more.. as they are only by peers.. which say alot about Deakin's work ..


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#13 Ken Willinger

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Posted 05 March 2018 - 09:05 PM

So happy for him that he finally took home the gold. His work is an inspiration.


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