Have any of you ever had a gig where you were unable to see the location until the day of the shoot, had only a nominal idea of what the director wanted with regard to the look of the film, and were forced to choose sort of an "all-purpose lighting package" from Mole-Richardson? If so, which one would you choose to light the set below based on the following criteria:
1) Black & White
2) See sample shots below for look...
3) In the layout of the location/set pictured below, the living room, kitchen, dining room, and entry all need to be lit for long takes that dolly in and out of rooms. The exterior will also need to be lit only to the extent that lights can be seen coming in through the windows.