Jump to content


Photo

Deciding on camera system and film format for upcoming project

SYSTEM 16mm S16 U16 Ultra16 Konvas Kinor Vision

  • Please log in to reply
No replies to this topic

#1 Henrik Efskin

Henrik Efskin

    New

  • Basic Members
  • Pip
  • 6 posts
  • Student

Posted 19 March 2014 - 08:42 AM

Hi guys!

 

I’m currently in the pre-production stage on a project that I am planning on shooting this coming summer. It’s a music video that follows a group of people with emphasis on one of them and her experience and discoveries about herself during their stay at a music festival over the course of about ten days during the summer vacation. I’ve been toying with this idea for some time now and I’ve realized that I really want to shoot this on film. I really feel that film is the way to go, both in the way I would end up working and also in the end result. I really think a slightly soft and grainy and warm and beautiful S16/U16 (or perhaps even 35) Kodak Vision look would suit the subject matter very well. This is where I need your help. I am looking for a robust and light camera system that, if 16mm, would easily convert to Super or Ultra 16, preferably hand cranked, although this is not a requisite as long as the system has interchangeable batteries that last long and can be charged from a standard 220V socket as I will be staying with the group the entire time with limited access to electricity. A hand cranked camera would probably be a better option. I already own an H-16 Rx that I have some experience with, however it is not ideal considering I limit myself to Rx lenses and 100’ magazine and a viewfinder I’m not super fan of; too small and too dim imo. Basically, what I’m after:

 

A light and portable S/U16 camera
400’ magazine preferably seeing as I will be shooting a lot of slowmo
24-48 fps
Hand cranked is a plus
Turret mount is a plus

That being said … I have also been toying with the idea of shooting 35mm. I’ve seen several labs that scan 35 at a lower price than 16. Difference in the price of film isn’t that big either. Something like a Konvas looks almost perfect for what I’m after. The only problem being that it maxes out at 32fps and I’m not too familiar with old Soviet electronics. 3-perf would be more ideal than 4.

I’d really appreciate some input and help from you fine people here ^^


  • 0



Also tagged with one or more of these keywords: SYSTEM, 16mm, S16, U16, Ultra16, Konvas, Kinor, Vision

The Slider

Willys Widgets

Broadcast Solutions Inc

Visual Products

Rig Wheels Passport

Media Blackout - Custom Cables and AKS

Gamma Ray Digital Inc

Paralinx LLC

Abel Cine

Aerial Filmworks

CineLab

Ritter Battery

CineTape

Technodolly

Wooden Camera

FJS International, LLC

Tai Audio

rebotnix Technologies

Metropolis Post

Opal

Glidecam

CineLab

Willys Widgets

The Slider

Wooden Camera

Glidecam

Rig Wheels Passport

rebotnix Technologies

Visual Products

FJS International, LLC

Gamma Ray Digital Inc

Tai Audio

Media Blackout - Custom Cables and AKS

Metropolis Post

CineTape

Aerial Filmworks

Ritter Battery

Abel Cine

Opal

Paralinx LLC

Broadcast Solutions Inc

Technodolly