I'm a huge fan of Bill Pope and Edgar Wright. I recently re-watched Hot Fuzz and was enamored by the lighting in the opening office scene. The contrast of color between the foreground and background is really pleasant.
Any ideas on how Pope may have approached the lighting in this scene? Particularly achieving the warm tones on Pegg.
Edited by Kevin Stiller, 11 August 2014 - 12:16 AM.