I had the choice between shooting film or digital as the medium for the final project of my freshman year undergrad production class, this past spring (it later turned out I was the only student to choose film ). The combination of terrible weather and a tight schedule, actually ended up working out.
Kodak Tri-X Reversal 7266 (2 spools)
Kodak Vision3 200T 7213 (4 spools)
24fps, 50fps and 6fps (for traffic exteriors comp'd together from 2:41 to 3:12)
10mm, 25mm and 75mm Schneider glass
Processed at Pac Lab and ColorLab
HD transfer at PrimeFocus NYC
*Reversed in post*
Comments and criticism welcome!
Edited by John Tashiro, 31 August 2014 - 08:17 PM.