Jump to content


Photo

how to improve THIS lighting...


  • Please log in to reply
6 replies to this topic

#1 GregBest

GregBest
  • Basic Members
  • PipPip
  • 59 posts
  • Director
  • West Des Moines, Iowa, USA

Posted 17 October 2014 - 10:03 AM

[I hope this is allowed and the right place to do this]

 

I'm new at cameras (3 years part time hobby) and especially lighting.  The scene:  a moving convertible, top down, bright daytime afternoon sun, going for splashes of light between the trees, note the reflective sunglasses.  This frame is from a partially shaded part, strait from camera, shot "flat", no correction or grading yet.  Camera is moving from left to right in front of the driver. The whole shot will be 1 to 1.5 seconds - one of a dozen fast cut quick driving shots.  It was shot at 4k, to be finished in 4k.

 

What could or should have been done to "improve" the lighting?  What would have made it better?  Any and all feedback appreciated.  Thanks!

 

driving.jpg


Edited by GregBest, 17 October 2014 - 10:04 AM.

  • 0

#2 David Mullen ASC

David Mullen ASC
  • Sustaining Members
  • 19970 posts
  • Cinematographer
  • Los Angeles

Posted 17 October 2014 - 10:30 AM

Not much you can do when the actor wears sunglasses like that and has to drive, though since you can't see his eyes, you don't have to light to see his eyes...

 

Most people would have to shoot in available light and would try to pick an optimal time of day and direction to drive.


  • 0

#3 GregBest

GregBest
  • Basic Members
  • PipPip
  • 59 posts
  • Director
  • West Des Moines, Iowa, USA

Posted 17 October 2014 - 10:53 AM

Thanks for the feedback, David.  I did pick the time as "approaching golden hour", and wanted the flashing sunlight coming through, fitting the time of day in the script and location.  The sun to always come from his left.  I'm okay with it - just inexperienced to know of better ways I could have done this.


  • 0

#4 GregBest

GregBest
  • Basic Members
  • PipPip
  • 59 posts
  • Director
  • West Des Moines, Iowa, USA

Posted 17 October 2014 - 03:46 PM

Anymore feedback here?
 

(Sorry, not sure how busy this forum is being newbie here)


  • 0

#5 Adrian Sierkowski

Adrian Sierkowski
  • Sustaining Members
  • 7251 posts
  • Cinematographer
  • Los Angeles, Ca

Posted 17 October 2014 - 04:56 PM

I really don't see that much wrong with it.

Unless you're doing a process trailer there really isn't too much to do with a day driving scene, since any lights you would want to rig up wouldn't at all overpower the sunlight (and still allow the actor to drive, safely).

This would be a moment when you're bring up what you recorded on the day in the grade; but as mentioned I don't see much wrong with that.

 

The only issue is the sunglasses-- you can throw some dulling spray on them, if they're an issue for reflections, of course you may not well be able to drive with them on then..


  • 0

#6 David Mullen ASC

David Mullen ASC
  • Sustaining Members
  • 19970 posts
  • Cinematographer
  • Los Angeles

Posted 17 October 2014 - 05:24 PM

I don't see any ways to improve it, except perhaps if you were on a process trailer and could back up the camera a little more and be less wide-angle.  But in terms of improving the "lighting", like I said, I don't know of a way to light it, I'd certainly prefer to shoot something like this in natural light anyway.


  • 1

#7 GregBest

GregBest
  • Basic Members
  • PipPip
  • 59 posts
  • Director
  • West Des Moines, Iowa, USA

Posted 17 October 2014 - 05:43 PM

Thanks again David, and Adrian.  It's great to get others experienced opinions on stuff.   :)


  • 0


Willys Widgets

Ritter Battery

Broadcast Solutions Inc

Aerial Filmworks

Gamma Ray Digital Inc

Tai Audio

Abel Cine

Rig Wheels Passport

Media Blackout - Custom Cables and AKS

The Slider

Metropolis Post

Technodolly

Glidecam

CineTape

rebotnix Technologies

FJS International, LLC

Visual Products

Paralinx LLC

CineLab

Wooden Camera

Wooden Camera

Tai Audio

Broadcast Solutions Inc

CineLab

Paralinx LLC

Gamma Ray Digital Inc

Metropolis Post

FJS International, LLC

Aerial Filmworks

Media Blackout - Custom Cables and AKS

Rig Wheels Passport

rebotnix Technologies

CineTape

The Slider

Willys Widgets

Technodolly

Abel Cine

Glidecam

Ritter Battery

Visual Products