Hi everyone. I was wondering if anyone has had any experience working with par lights for cinematography. I recently invested in some open face redhead lighting, a 650w and a 2kw blonde, both Ianiro lights. I am wanting to purchase some par lights for a more direct/harsh light that I can use for bouncing off poly board/other objects.
I am looking at the Par 36 pinspot light, designed for stage lighting, but I was wondering if anyone has used this specific light before? Is it possible to get 3200k bulbs and 5600k bulbs for it?