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TLS Morpheus 80-200mm and Aurora 24-70mm conversions?


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#1 Mark Kenfield

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Posted 03 June 2015 - 09:19 PM

Hi guys,

I'm looking at moving over to zooms for my work, and am very intrigued by the TLS Aurora and Morpheus Nikon zoom rehousings. 24-70mm and 80-200mm would cover a lot of ground for me in just two lenses (with the added advantage of being Vistavision-ready).

But I can find virtually no feedback on the lenses anywhere online and was wondering if anyone who has used them could share their experiences?

I know they were used to shoot most of the Bourne Ultimatum (but the cuts in that film are literally too quick to judge by), and I heard they also shot parts of Casino Royale and Mr. Turner, so it certainly sounds like they have the right kind of pedigree, but again, I'd really appreciate some first-hand feedback if anyone has any?

I'd also be keen to know which primes sets they cut in well with?

Cheers,

Mark
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#2 James Martin

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Posted 04 June 2015 - 06:50 AM

As you say they are both rehoused from Nikon lenses. I do not believe TLS do any work on the optics beyond making sure they are clean, the majority of their work is in the mechanical side and TLS are world-class.

 

A guy on reduser had some for sale, I believe his name was Pete Barta, he had the Morpheus.

 

Alternatively perhaps you can contact TLS directly - they might have some more factual footage to use?


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#3 Mark Kenfield

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Posted 04 June 2015 - 09:06 AM

As you say they are both rehoused from Nikon lenses. I do not believe TLS do any work on the optics beyond making sure they are clean, the majority of their work is in the mechanical side and TLS are world-class.

 

A guy on reduser had some for sale, I believe his name was Pete Barta, he had the Morpheus.

 

Alternatively perhaps you can contact TLS directly - they might have some more factual footage to use?

 

Thanks James, I'll try and track down Pete for a review. I've already asked TLS for some sample footage, haven't heard back yet though. I know the optics are sound (particularly on S35mm sensors), but it'd certainly be reassuring to see focus racks and zoom actions on actual footage.


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Glidecam

Metropolis Post

rebotnix Technologies

Rig Wheels Passport

Abel Cine

Willys Widgets

Tai Audio

FJS International, LLC

Paralinx LLC

Broadcast Solutions Inc

The Slider

CineTape

Ritter Battery

Gamma Ray Digital Inc

CineLab

Aerial Filmworks

Visual Products

Media Blackout - Custom Cables and AKS