I recently shot a project where I exposed for a 1 stop push that I had planned to have happen when we scan the film.
I believe we had a miscommunication with the scanning house as it appears they didn't raise the exposure. That said this led me to a broader question - does it matter if you push the exposure in the scan or in the grade? Also, When scanning film to a flat Log workflow where should middle grey sit?
Edited by Jacob Zalutsky, 19 December 2015 - 01:17 PM.