Yes, another 16mm question
I have two 16mm color double-perf Kodachrome prints (less than 400' each) that I've been storing at the Academy archives in Hollywood. These prints from 1965 & 1968 document two world premieres here in Los Angeles and the color & condition of the both rolls are stunning. I don't think they've ever been projected. When we found them, we originally screened them on a flatbed Moviola and thought we had color reversal film. Closer inspection of the film over the light table revealed it was, in fact, Kodachrome.
My question is: what is the best way to both archive this & digitize it for use in Final Cut Pro? There is lot of discussion on the forum regarding 2K vs 4K 16mm scans, but I'm presuming this refers to NEGATIVE, not print.
Any tips, pointers or advice?
Edited by SWS, 30 April 2016 - 01:33 PM.