Jump to content


Photo

Bungee cam on rickshaw


  • Please log in to reply
1 reply to this topic

#1 SimonLL

SimonLL

    New

  • Basic Members
  • Pip
  • 8 posts
  • Cinematographer
  • Montreal

Posted 12 July 2017 - 09:14 AM

Hi all,

 

Getting ready to shoot a web series. We have a couple of scenes of walk and talk in the streets to cover. Our budget is over extended, so can really afford to hire a Steadycam or Gimbal. Fortunately, the director is not looking for super smooth gimbal like movement, so a rickshaw with the camera suspended on bungees or medical tubing was brought forward. We want to feel a camera that is alive, but not the footsteps backwards (the shot is pulling back as the actors walk towards camera). There will also be some running shots tracking along with the actor both sideways and from the front.

 

My only concern is stabilizing the jitter of the cracked sidewalks to minimize the jello effect if we decide to stabilize further in post. Can a rig like that work to give me a good basis to work with in post?

 

We're shooting on a Varicam LT for an HD finish, so I plan on shooting a bit wider in 4k to allow room for post stabilization.

 

Thanks for the tips!


  • 0

#2 AJ Young

AJ Young
  • Basic Members
  • PipPipPip
  • 198 posts
  • Cinematographer
  • Los Angeles, CA

Posted 18 July 2017 - 11:47 PM

I don't think a rig like that will give the results you're hoping for. (Of course, you're still entitled and encouraged to try; I'd love to see the results either way!)

 

You may be better off simply going handheld and riding in the rickshaw. You'll have bumps either way, but they can be somewhat corrected with post-stabilization.

 

However, micro bumps are going to be a huge challenge to fix in post, regardless of resolution. The problem is that the end result of fixing micro bumps will be a softer image.

 

One option is to take a cue from Evil Dead. They made a poor-man's steadicam out of a 2x4 piece of wood.

 

The idea is to basically get a 3' or 4' cut of 2x4 and drill a hole through the center. Mount the camera to the wood using the drilled hole and a long enough bolt+washer. On set, have two people carry the board (one on each end). It'll take a moment of practice, but they should be able to keep their arms at the same height and level. Their arms will act as natural shock absorbers and mitigate most bounce; make sure they try to dampen the rest of their bounce with how they walk (see basic steadicam walking).

 

I hope this makes sense; I definitely recommend testing it out!


  • 0


New Pro Video - New and Used Equipment

Glidecam

Rig Wheels Passport

Paralinx LLC

Abel Cine

Metropolis Post

Tai Audio

Ritter Battery

Gamma Ray Digital Inc

Broadcast Solutions Inc

Wooden Camera

Media Blackout - Custom Cables and AKS

CineLab

Visual Products

Serious Gear

Broadcast Solutions Inc

Ritter Battery

Metropolis Post

New Pro Video - New and Used Equipment

Glidecam

Paralinx LLC

Media Blackout - Custom Cables and AKS

Serious Gear

Visual Products

Tai Audio

Abel Cine

Rig Wheels Passport

Wooden Camera

CineLab

Gamma Ray Digital Inc