Jump to content


Photo

"Lo-Budge" Motion Control


  • Please log in to reply
5 replies to this topic

#1 Matt Thomas

Matt Thomas
  • Basic Members
  • PipPip
  • 39 posts
  • Other
  • Fort Wayne, Indiana

Posted 29 August 2017 - 03:42 PM

I have a shoot coming up next week where I have to move a camera roughly 10 feet over the course of 2.5 mins. We have a dolly figured out for $0.00 which is great. I'm wondering if anyone has any cheap or creative suggestions on getting a consistent/precise camera move?

 

Slow electric winch? 

The steady hand of god?

Pulley system?

 

Obviously the fail safe plan is to do it by hand. Any one have experience with something like this?

 

Thank you! 

Attached Images

  • unnamed.jpg

  • 0

#2 Adrian Sierkowski

Adrian Sierkowski
  • Sustaining Members
  • 7373 posts
  • Cinematographer
  • Los Angeles, Ca

Posted 29 August 2017 - 03:45 PM

10ft really isn't too much of a move at all and a steady hand can certainly do it.

 

Why do you need it so exact?


  • 0

#3 Matt Thomas

Matt Thomas
  • Basic Members
  • PipPip
  • 39 posts
  • Other
  • Fort Wayne, Indiana

Posted 29 August 2017 - 04:01 PM

Why do you need it so exact?

 

Basically the story is the TV is possessed and this guy watching has died. We have a few subtle moments happening outside the windows of the room, hoping for the "wait, did you see that!?" reaction. But the primary story is the TV and the Guy. 

 

My worry is if the camera move is inconsistent or too early to certain marks it might give the subtle moments too much importance, and distract from the primary story rather than accompany it... but it sounds like I should just start practicing the move now  :ph34r:


Edited by Matt Thomas, 29 August 2017 - 04:02 PM.

  • 0

#4 Adrian Sierkowski

Adrian Sierkowski
  • Sustaining Members
  • 7373 posts
  • Cinematographer
  • Los Angeles, Ca

Posted 29 August 2017 - 04:04 PM

Generally you only really worry about motion control if you're doing FXs work-- for something like this; the ease of adjustment on the fly seems to precipitate a good steady hand, good rehearsals, blocking and a bit of time in the schedule to get it right.


  • 1

#5 Jaron Berman

Jaron Berman
  • Basic Members
  • PipPipPip
  • 182 posts
  • Cinematographer
  • New York, NY

Posted 05 September 2017 - 10:27 PM

so many ways to do this.  Adrian is correct - without the need to make it work for VFX, perhaps the simplest solution is the easiest?  Here are a couple.

 

2.5 minutes is 150 seconds.  Can you move the camera 12.5 ft??  If so - just lay out a tape measure on the floor next to your dolly track and make a little pointer on one of the wheels.  Move the dolly 1" / second.  Done.  

 

Slightly tougher - tie a pulley to the end of the track and another pulley 10' up on some sturdy object.  Hang a weight on the end of a rope such that it pulls the dolly roughly 1"/second.  I've done this with a slider and c-stands to achieve a diagonal move, works great.


  • 3

#6 AJ Young

AJ Young
  • Basic Members
  • PipPipPip
  • 175 posts
  • Cinematographer
  • Los Angeles, CA

Posted 07 September 2017 - 11:34 PM

so many ways to do this.  Adrian is correct - without the need to make it work for VFX, perhaps the simplest solution is the easiest?  Here are a couple.

 

2.5 minutes is 150 seconds.  Can you move the camera 12.5 ft??  If so - just lay out a tape measure on the floor next to your dolly track and make a little pointer on one of the wheels.  Move the dolly 1" / second.  Done.  

 

Slightly tougher - tie a pulley to the end of the track and another pulley 10' up on some sturdy object.  Hang a weight on the end of a rope such that it pulls the dolly roughly 1"/second.  I've done this with a slider and c-stands to achieve a diagonal move, works great.

 

I'd do Jaron's idea in a heartbeat. The same can be done with a dana dolly; just make sure to provide center support for such a long run.

 

I use this laser pointer and believe it'll work well in your situation: link


  • 0


Gamma Ray Digital Inc

Ritter Battery

Metropolis Post

Visual Products

CineTape

Paralinx LLC

rebotnix Technologies

Rig Wheels Passport

Abel Cine

New Pro Video - New and Used Equipment

The Slider

Glidecam

Broadcast Solutions Inc

Technodolly

FJS International, LLC

Tai Audio

Media Blackout - Custom Cables and AKS

Willys Widgets

Wooden Camera

Aerial Filmworks

CineLab

The Slider

New Pro Video - New and Used Equipment

CineLab

Wooden Camera

Abel Cine

Gamma Ray Digital Inc

Visual Products

CineTape

Technodolly

Metropolis Post

Willys Widgets

Broadcast Solutions Inc

Media Blackout - Custom Cables and AKS

Glidecam

FJS International, LLC

Ritter Battery

Paralinx LLC

Rig Wheels Passport

Aerial Filmworks

rebotnix Technologies

Tai Audio