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So this is what you get if you overexpose 2 stops and pull?


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#1 Samuel Berger

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Posted 07 November 2017 - 06:14 PM

So this is what you get if you overexpose 2 stops and pull?

 

I just really love the way this thing looks. I know it's not for everyone, but man how I love that look.

 

The article:

 

http://nofilmschool....hoot-super-16mm

 

The film by Kassim Norris:

 

 

 

Negative format: Kodak 7213 and 7219
Camera: Aaton XTR Prod and Xtera
Lenses: Zeiss Super Speeds MK II and Zeiss CZ.2 28-80mm
Post: Scanned and Processed at CineLab
Run time: 5mins
DI in Resolve


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#2 Stuart Brereton

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Posted 07 November 2017 - 06:38 PM

I'm not sure I'd agree with him that you can safely overexpose film by 6 stops.  Film is forgiving, but not that forgiving. You'd end up with a very dense negative that would be hard to scan, and your highlight detail would be gone.


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#3 Samuel Berger

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Posted 07 November 2017 - 07:32 PM

I'm not sure he's 100% reliable either. He told everyone that he shot the movie using one can of film but listed two different filmstocks on Vimeo.

 

I do love the look of the film at least until she enters the prison. From then on I still like it but I find it heavy on the blue.

 

Both stocks listed are tungsten balanced.


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Gamma Ray Digital Inc

FJS International, LLC

CineLab

Visual Products

CineTape

Ritter Battery

Broadcast Solutions Inc

Technodolly

Metropolis Post

rebotnix Technologies

Media Blackout - Custom Cables and AKS

Tai Audio

Abel Cine

Wooden Camera

Rig Wheels Passport

Opal

Aerial Filmworks

Willys Widgets

The Slider

Glidecam

Paralinx LLC