Stanley Kubrick is a director whom I have admired for as long as I can recall. His innovations to filmmaking are innumerable and in his wake has inspired several contingents of new filmmakers to push the limits in terms of conventions.
Anyway, it was yesterday when I rewatched The Shining that a particular question came to my mind - his lighting techniques. I know that Kubricks use of practical lighting was quite groundbreaking, but how much did he actually rely on them to light the entire set (excluding the use of large daylight fixtures for interior day scenes)? Kubrick enjoyed immense creative freedom on his productions and was thus able to reconstruct the entire interior (and parts of the exterior, I believe) of The Overlook Hotel on a soundstage.
Please take a look at the still attached. As you can see there are numerous practicals visible, and they are all blown out. Is it reasonable to suggest that all bulbs are a minimum of 1kW? Since the fastest available film stock until 1981 was only 100 ASA, would these practicals have been enough to light the entire scene? And what about the reflection on the floor in the bottom left of the frame?
Many thanks in advance!!
Edited by Kaspar Kamu, 13 November 2017 - 07:26 AM.