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The Effects of a Push in VS. Pull out

cinematography movement camera push in pull out dolly style emotion mood

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#1 Jacob Mitchell

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Posted 26 February 2018 - 10:21 PM

Hey everyone!

 

Wanted to open up a discussion of the subliminal effects on an audience/contrasted moods that are conveyed in a push in versus a pull out. I've been thinking a lot about them lately, and of course there's the typical application of these shots opening/ending scenes in a very traditional matter. 

 

What does everyone think about these shots from a mood building and emotional point of view?


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#2 Macks Fiiod

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Posted 26 February 2018 - 10:41 PM

Push-in: subtle intimacy, tension rising, importance

Pull-out: uncertainty, exposition, deflating severity of in-universe action


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#3 David Mullen ASC

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Posted 26 February 2018 - 11:45 PM

Also, pushing in from a group shot to a single close-up isolates the individual from the crowd, and pulling away does the opposite, folds the individual into the crowd.  Spielberg, who is known for his push-ins, does a serious of pull-outs at the end of "Close Encounters", from a single face to a group of faces, to suggest a shared emotional experience taking place.

 

Pulling away from an individual to show empty space around them creates a feeling of isolation and loneliness, abandonment or rejection.

 

In the early part of "Raiders of the Lost Ark", there is a push-in on Indiana Jones as he contemplates how to remove the gold idol from its stone base, and then a pull-out as he decides what to do and does it, which is sort of a red herring, a false relaxation of tension because a moment later everything is going to go wrong.


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Also tagged with one or more of these keywords: cinematography, movement, camera, push in, pull out, dolly, style, emotion, mood

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