Jump to content


Photo

Color of framelines


  • Please log in to reply
5 replies to this topic

#1 Tobey Nordenlund

Tobey Nordenlund

    New

  • Basic Members
  • Pip
  • 1 posts
  • 1st Assistant Camera
  • Copenhagen, Denmark

Posted 05 March 2018 - 03:22 PM

Hi everyone

Im a 1stAC and Focus Puller from Denmark.

Lately I have been noticing that a lot of productions have red colored framelines on their monitors, and I have been wondering... why?

Is it a way of keeping track of which camera you are watching, if it is a multi-camera shoot? (I have seen it being used on single camera productions)

Is it just a color psychology thing? Or because people just dont like the standard white colored framelines? Is it because it is easier to distinguish from the picture? (I wouldnt think red is the best for that...)

I havent been able to google search an answer, so I hope someone in here has an explanation.
  • 0

#2 Robin R Probyn

Robin R Probyn
  • Basic Members
  • PipPipPipPip
  • 2248 posts
  • Cinematographer
  • Tokyo

Posted 05 March 2018 - 07:08 PM

Yes Interesting .. most cameras now also give you choice of color for frame lines .. mine has about 5 .. even purple and an odd green one.. personally I dont like the red choice.. I associate it with some sort of error message !.. I went with a light blue color .. it just looks nicer in the VF ..a calm color.. than the ordinary white lines..  end of the day.. I think they are used as it looks a bit more fancy than the old boring white lines !..  I remember Panavision had a Panaglow thingy where the frames lines would light up for night shoots.. for some reason, that really seemed amazing to me..!


  • 0

#3 Stuart Brereton

Stuart Brereton
  • Basic Members
  • PipPipPipPip
  • 3353 posts
  • Cinematographer
  • Los Angeles

Posted 05 March 2018 - 07:39 PM

I use the red lines, purely because they remind me of the Arri Glow system on their film cameras.


  • 0

#4 Mark Kenfield

Mark Kenfield
  • Basic Members
  • PipPipPipPip
  • 1167 posts
  • Cinematographer
  • Australia/Wherever The Wind Takes Me

Posted 05 March 2018 - 10:23 PM

I HATE frame lines, every monitoring device should offer frame masks (with variable opacity) as far as I'm concerned.

Trying to mentally occlude a high contrast element from your composition, that's outside of your frame, but within the monitor image, is a nightmare.


  • 0

#5 Kyryll Sobolev

Kyryll Sobolev
  • Basic Members
  • PipPip
  • 77 posts
  • Camera Operator
  • Toronto

Posted 05 March 2018 - 11:12 PM

i think it is a digital age manifestation of the colour-coding tradition where "A" camera gets colour red and "B" camera gets blue, "C" will get yellow, "D" green.
(also works as a rule of thumb for actor marks - #1 is red, #2 is blue, etc.)

you may see this on slates if you watch BTS videos, but also ACs will usually colour-code all accessories/cables/etc in prep

it is certainly not a rule nor expectation. some operators just prefer white framelines, and i have never heard of anyone at the video-village ask to change the colours
  • 1

#6 Gregory Irwin

Gregory Irwin
  • Sustaining Members
  • 608 posts
  • 1st Assistant Camera
  • Work is based in Los Angeles but I live elsewhere.

Posted 29 March 2018 - 02:28 PM

Kyryll is absolutely correct!

G
  • 0


The Slider

Aerial Filmworks

Media Blackout - Custom Cables and AKS

CineLab

Tai Audio

CineTape

Wooden Camera

Glidecam

Paralinx LLC

rebotnix Technologies

Technodolly

New Pro Video - New and Used Equipment

Broadcast Solutions Inc

FJS International, LLC

Gamma Ray Digital Inc

Abel Cine

Ritter Battery

Metropolis Post

Willys Widgets

Rig Wheels Passport

Visual Products

FJS International, LLC

Broadcast Solutions Inc

CineLab

New Pro Video - New and Used Equipment

Rig Wheels Passport

Metropolis Post

Visual Products

Media Blackout - Custom Cables and AKS

rebotnix Technologies

Gamma Ray Digital Inc

Willys Widgets

Paralinx LLC

Wooden Camera

The Slider

Aerial Filmworks

Ritter Battery

Tai Audio

Glidecam

Abel Cine

CineTape

Technodolly