1. Are there any effective methods of lighting shots like this to still look natural but to keep the subjects exposed properly for most of the time.
2. How can I ensure continuity in the lighting of my shots, specifically for the purpose of making smooth cuts without disparities in exposure.
PS I'm using a Sekonic L-398M Studio Deluxe II meter. What is the most effective way to meter my shots (incident, reflected, etc.)
Edited by phillyfilm, 23 July 2005 - 07:49 PM.