Jump to content


Photo

Lighting for Blow-up S-16 to 35mm


  • Please log in to reply
3 replies to this topic

#1 Uwe Pfizenmaier

Uwe Pfizenmaier

    New

  • Basic Members
  • Pip
  • 5 posts
  • Cinematographer

Posted 11 September 2005 - 04:03 PM

Hey everybody!
I´m shooting a short film on S-16 soon, which is gonna be blown up to 35mm (the optical printing process). Any advise or ideas other than keeping the light contrasty to distract from the boosted graininess? Unfortunately I can´t think of anything else... Do you?
Thanks for the input! All best! -Uwe
  • 0

#2 timHealy

timHealy
  • Basic Members
  • PipPipPipPip
  • 1262 posts
  • Other
  • New York

Posted 11 September 2005 - 04:37 PM

If you haven't already, talk to the lab you will be getting your work done. See what they recommend.

Then perhaps shoot a test before you do the whole film. And have the test blown up to 35. It will be worth the time and small investment to make sure you are going to like what your going to get.

I would also prefer to use slowest speed film you can get away with, and overexpose say two thirds of a stop to get a good negative. But it will depend on what you'll be doing in terms of look and the subject matter. Maybe big ass grain will be preferable to the content of the film.

Best

Tim
  • 0

#3 Dominic Case

Dominic Case
  • Basic Members
  • PipPipPipPip
  • 1357 posts
  • Other
  • Sydney Australia

Posted 11 September 2005 - 07:18 PM

Over-expose by about a stop, to ensure that blacks will print black, not grey. That is a sure way to minimise graininess.

In dark scenes, be sure to include a highlight somewhere: back or rim lighting works well: the eye is looking for strong, sharp shapes in any image; if it's all gloomy, it peers into the gloom and the sharpest thing it finds is grain.

For the same reason, be absolutely accurate in your focus. If (as is likely) you are overexposing, on slow stock for finer grain, and with a limited lighting budget, you will not have a lot of depth of field. Make sure your subject is spot on the mark, and light them well (as above).

Use the best lenses you can get hold of. (Well, that's a universal need of course, but anything that compromises image sharpness here is more critical).

As Tim (heel_e) said, talk to your lab first, and ask for a blow-up test.
  • 0

#4 Dimitrios Koukas

Dimitrios Koukas
  • Sustaining Members
  • 569 posts
  • Cinematographer
  • Athens, Greece, London UK

Posted 12 September 2005 - 12:48 PM

Hey everybody!
I´m shooting a short film on S-16 soon, which is gonna be blown up to 35mm (the optical printing process). Any advise or ideas other than keeping the light contrasty to distract from the boosted graininess? Unfortunately I can´t think of anything else... Do you?
Thanks for the input! All best! -Uwe

<{POST_SNAPBACK}>


both replies will get you there,
Print a test and overexpose.Also go for a screenning, you will also notice how much of your actuall frame you will loose,(some facilities have not so accurate gates, so you might loose some of your frame in the procedure.Use a test chart with the format you will going for, let's say if it's 1:85 shoot some 1:85 lines.
Dimitrios Koukas

Edited by Dimitrios Koukas, 12 September 2005 - 12:51 PM.

  • 0


FJS International, LLC

Glidecam

The Slider

Visual Products

Technodolly

Ritter Battery

CineTape

Metropolis Post

Rig Wheels Passport

Gamma Ray Digital Inc

Broadcast Solutions Inc

CineLab

Paralinx LLC

New Pro Video - New and Used Equipment

Tai Audio

Media Blackout - Custom Cables and AKS

rebotnix Technologies

Aerial Filmworks

Willys Widgets

Wooden Camera

Abel Cine

Ritter Battery

Gamma Ray Digital Inc

Willys Widgets

Metropolis Post

Technodolly

New Pro Video - New and Used Equipment

Rig Wheels Passport

CineLab

FJS International, LLC

CineTape

Broadcast Solutions Inc

Glidecam

Media Blackout - Custom Cables and AKS

Wooden Camera

Paralinx LLC

Tai Audio

Abel Cine

The Slider

Aerial Filmworks

rebotnix Technologies

Visual Products