Jump to content


Photo

AATON LTR-7 Super-16 -VS- SR1 Germen


  • Please log in to reply
1 reply to this topic

#1 Carl Weston

Carl Weston
  • Basic Members
  • PipPip
  • 46 posts
  • Camera Operator
  • New York City

Posted 30 September 2005 - 11:03 PM

AATON LTR-7 Super-16 -VS- SR1 Germen
Witch one of these cameras is the best for sync sound production? :)
  • 0

#2 Dimitrios Koukas

Dimitrios Koukas
  • Sustaining Members
  • 569 posts
  • Cinematographer
  • Athens, Greece, London UK

Posted 01 October 2005 - 04:37 AM

AATON LTR-7 Super-16 -VS- SR1 Germen
Witch one of these cameras is the best for sync sound production? :)


Honestly,
I have never sound tested both of them, but I have the feelling that it all has to do with the condition of the magazines, and the lubrication of the camera,or correct loop and threading.
I have used both and sometimes I ' ve got this ''noisy'' magazine problem, wich I have had to check it as a noisy one on the mag to know when I am using it, so I have to put a cotton material on it (jacket) to blimp the noise off.
U should try to do some tests with a db meter ,if you want to be specific.
LTR is a very silent camera though by my experience.
Dimitrios Koukas
  • 0


Glidecam

Broadcast Solutions Inc

Abel Cine

Technodolly

Tai Audio

rebotnix Technologies

Opal

CineTape

Aerial Filmworks

CineLab

Rig Wheels Passport

Paralinx LLC

Gamma Ray Digital Inc

Wooden Camera

Metropolis Post

Visual Products

The Slider

FJS International, LLC

Media Blackout - Custom Cables and AKS

Ritter Battery

Willys Widgets

Technodolly

Media Blackout - Custom Cables and AKS

Ritter Battery

Tai Audio

Willys Widgets

rebotnix Technologies

Rig Wheels Passport

Broadcast Solutions Inc

The Slider

Metropolis Post

CineTape

Aerial Filmworks

Visual Products

Wooden Camera

Glidecam

CineLab

Abel Cine

Paralinx LLC

FJS International, LLC

Opal

Gamma Ray Digital Inc