Hi Matej Pok
Thanks for your response. I understand why some filmmakers would prefer the Arriflex and Aaton ...
However these cameras are not for me. I have shot with the Arriflex before and I was not crazy about the footage.
The colours were flat. Cumbersome camera to work with too.
During telecine, I felt I could have achieved the look easily with 7D and colour correction.
I have never used an Aaton before so I can't discuss it.
I know the Kinor has a unique look. From the tests I've seen I prefer it to the Aaton.
Does anybody know the differences between the 2M and 3M?
Taylor SmithMember Since 23 Sep 2012
Offline Last Active Sep 29 2012 08:30 PM
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